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TSGNY meets ten
times a year, September through June, on the
third Wednesday of each month.
Eight meetings
feature slide lectures by speakers who are
among the movers and shakers of the fiber art
world. The other two meetings are reserved for
viewing slides of members’ work or for special
events.
Information
about the next speaker and the date and time
of TSGNY’s next monthly meeting are posted at
the beginning of the month. TSGNY is on
vacation during July and August.
Meetings keep
members up-to-date with what is happening in
contemporary fiber art. They also provide
opportunities for networking with speakers and
other TSGNY members.
The Textile
Study Group of New York welcomes guests.
We invite you to attend a monthly meeting and
to consider becoming a TSGNY member.
NEXT MEETING: Wednesday,
May 21, 7 pm
LOCATION:
Community Church of New York Unitarian Universalist
40 E. 35th St. (betw. Park and Madison), New York City
(Entrance at street level on the far right of the
church itself; doorway marked #40.)
Closest buses: Southbound— M2, M3,
M4, M5 to 34th & Fifth;
Northbound—M2, M3, M4 from 34th & Madison; M5 from 34th
& Sixth;
34th St.Crosstown—M34, M16 to/from 34th & Fifth.
Closest subway station: #6 to/from 33rd St. &
Park Avenue South.
SPEAKER: CYRILLA MOZENTER
Cyrilla Mozenter is an
artist who works with handmade paper and wool felt,
creating works that are primarily white.
Small-scale vessels
evoking sacred ritual objects were displayed in More
saints seen, a solo exhibition seen at the Aldrich
Contemporary Art Museum, Ridgefield, CT (2005-06).
Constructed from cream-colored industrial felt with
hand-sewn seams, Mozenter also integrated wooden
ice-cream spoons and toothpicks; pearls, buttons, and
beads; and penciled, child-like letters and marks into
shapes that occupy a spiritual space.
Works displayed in these
solo exhibitions— Cuts and Occasions at Dieu Donné
Papermill, New York (2002), and Very well saint at The
Drawing Center, New York (2000)—involved the stitching
together of double layers of handmade paper with grey
silk thread. The sewn thread lines echoed the penciled
lines of her drawing.
Her current and on-going
works-on-paper dispense with doubled paper layering and
include watercolor and gouache. Dimensional eruptions in
the paper result from cuts and punctures, watery paints,
and glue. “The challenge,” she
writes, “ is to act without hesitation.”
Mozenter has been
exhibiting her work since 1978. She has been
artist-in-residence at Dieu Donné Papermill and
Instituto Municipal de arte e Cultura-Rioarate, Rio de
Janeiro, and has received two fellowships from NYFA. Her
work is in the collections of major museums in the US.
In the fall, her work will be included in a two-person
show at the Lesley Heller Gallery in New York City. She is a professor in the MFA program at
Pratt Institute.
To view Images of her work, visit
www.cyrillamozenter.com
ADMISSION
$5.00 for members of other textile organizations.
$10.00 for TSGNY's Newsletter Subscription members and
unaffiliated guests.
Admission fees are added to the fund
supporting TSGNY’s Nancy and Harry Koenigsberg Award. |
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For years, TSGNY members
have benefited from programming that
included speakers who exemplified the diversity and
inclusiveness of the contemporary textile world.
For example:
2006─2007
September — Annika Ekdahl,
weaver who experiments
with tapestry limitations, scale, and digitizing to tell
stories with her work
October — Doug Beube,
altered books sculpted into fantastical shapes with
reconstructive/deconstructive tactics
November — Tracy Krumm,
sculpture integrating traditional textile processes with
found industrial and domestic objects
December — Holiday Party
January — China Marks,
sewn drawings using various fabrics with machine
appliqué and embroidery to create surreal scenarios
February — Jill Heppenheimer,
co-owner of the Santa Fe
Weaving Gallery selling work by garment and accessory
designers; fiber conference director
March — Sabrina Gschwandtner,
combines film, sewing,
knitting, and crochet for installations, participatory
events, and magazine publication
April — Janet Eschelman,
large to massive sculptural installations that re-shape
urban space with diaphanous materials
May — Kevin O’Brien,
textile designer whose studio creates hand-crafted
fabrics for home furnishings, scarves and shawls
June — Slides of members’ work
2005─2006
September — Lesley Dill,
creates sculptures,
prints, installation and performance pieces
using various materials and printing processes
October — Elena Herzog,
sews, stuffs, and
drapes sculptural objects from old domestic
materials
November — Gary Van
Wyck, art
historian, writer, authority on African
cultures; owns a Chelsea gallery featuring
South African art
December — Holiday
Party
January — Jackie Abrams,
basket maker who
uses heavy cotton paper to shape woven,
stitched, layered forms
February — Susan
Martin Maffei, weaves colorful,
detailed, large and small tapestries
celebrating her NYC life
March — Jean Shin,
transforms mundane,
discarded objects into sculptural
installations using reconstructive alterations
April — DoHo Suh,
Korean with an
international reputation for large sculptural
installations constructed of stitched fabric
May — Xenobia Bailey,
crochets colorful,
African-influenced, sculptural hats, garments,
wall pieces, and installations
June —
Slides of
members' work
2004–2005
September — Ed Bing Lee, small works created
with densely packed half-hitch knots
October — Amy Orr, quilter who
constructs surface imagery from street
castoffs and other objects
November — Angiola Churchill, elegant, ethereal,
site-specific works fashioned from white paper
December — Lewis Knauss, small, abstract,
landscape interpretations constructed from
natural materials
January — Lindsay Rais, wire vessels shaped
with knotless netting studded with pistachio
shells
February — Wenda Gu, monumental
installations with global social implications
built using hair
March — Slides of members’ work
April — Raylene Marasco, custom-printed,
dyed, painted fabrics for fashion, costume,
and home decorating customers
May — Margaret Hluch, tapestry weaver
whose imagery chronicles personal experiences;
quilter
June — Jorie Johnson, felter who
fabricates clothing and accessories using
innovative processes and materials
2003–2004
September — Polly Apfelbaum, “fallen paintings,”
spreading floor arrangements of little shapes
hand cut from fabric
October — Jane Ingram Allen, sculptures and
public art installations of paper, painted
string, and found objects
November — Layne Goldsmith, authority on
textile history, fiber structure, feltmaking,
weaving
December — Holiday party, slides of members’
work
January — Dorothy Caldwell, large constructions
of dyed, stitched fabric with wood, stone, and
other elements
February — Barbara B. Goldberg, review of the work
of basket maker Joanne Segal Branford
March — Jacqueline Atkins, textile historian;
propaganda textiles of Japan, Britain, and the
U.S., 1931–1945
April — Betsy Sterling Benjamin, wax-resist textiles
with imagery influenced by Japanese design and
aesthetics
May — Barbara Lee Smith, embroiderer who
builds intensely colored, complex surfaces
with layering and stitchery
June — Annual business meeting, slides of
members’ work
2002–2003
September — Janis Jefferies, Textile Dept. at
Goldsmiths College; London digital printing
artist, writer, educator
October — Donna Lish, hand- and
machine-knitted structures reinforced with
beads
November — Katherine Cobey, hand-knitted
garments and large sculptural objects
December — Miriam Schaer, multimedia book
artist using garments as containers
January — Joanne Russo, explores childhood
influences that shaped adult artists
February — Slides of members’ work
March — Sonya Clark, African-influenced,
beaded, embellished, conceptual headdresses
and objects
April — Beverly Semmes, large, abstract
sculptures referencing social relationships
May — Joan Livingstone, felt shaped into
large forms and installation objects
June — Koenigsberg Award
presentation to
wearable artist Rebecca Turnbow
2001–2002
September — Tetsuo Kusama, Japanese weaver of
large commissioned installations
October — Missy Stevens, small pictorial
images using punch needle embroidery
November — Donna Sharret, needle-lace designs
of synthetic hair with rose petals
December — Reception and raffle of MANY PAGES, member-created
artists’ book
January — Henry Drewal, professor/scholar;
art of Yoruba-speaking African people
February — Chunghie Lee, Korean; wearables,
sculptural forms, and installations
March — Donna Rosenthal, small sculptures
constructed from household items
April — Jon Eric Riis, tapestry weaver who
enriches surfaces with beads
May — Emma Amos,
artist who includes African fabrics in her
painted works
June — Annual business meeting, slides of
members’ work
2000–2001
September — Annet Couwenberg, hand-sewn
mixed-media sculptural works
October — Tamiko Kawata, jewelry and art
objects constructed from safety pins
November — Alan Shields, handmade paper
objects
December — Three exhibitions of contemporary
lace art
January — Jill Furst, historian; Aztec
and Mayan beaded and feathered objects
February — Jane Sauer, basketry and
sculptural forms
March — Barbara Shawcroft, small-to-massive
three-dimensional fabrications
April — Twylene Moyer, Sculpture
magazine editor; observations about fiber
May — Randall Darwall, weaver of
functional, wearable textiles
June — Annual business meeting, slides of
members’ work
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