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TSGNY meets ten times a year, September through June, on the third Wednesday of each month.

Eight meetings feature slide lectures by speakers who are among the movers and shakers of the fiber art world. The other two meetings are reserved for viewing slides of members’ work or for special events.

Information about the next speaker and the date and time of TSGNY’s next monthly meeting are posted at the beginning of the month. TSGNY is on vacation during July and August.

Meetings keep members up-to-date with what is happening in contemporary fiber art. They also provide opportunities for networking with speakers and other TSGNY members.

The Textile Study Group of New York welcomes guests.
We invite you to attend a monthly meeting and to consider becoming a TSGNY member.


NEXT MEETING: Wednesday, May 21, 7 pm

LOCATION:

Community Church of New York Unitarian Universalist
40 E. 35th St. (betw. Park and Madison), New York City
(Entrance at street level on the far right of the church itself; doorway marked #40.)

Closest buses: Southbound— M2, M3, M4, M5 to 34th & Fifth;
Northbound—M2, M3, M4 from 34th & Madison; M5 from 34th & Sixth;
34th St.Crosstown—M34, M16 to/from 34th & Fifth.
Closest subway station: #6 to/from 33rd St. & Park Avenue South.

SPEAKER: CYRILLA MOZENTER

Cyrilla Mozenter is an artist who works with handmade paper and wool felt, creating works that are primarily white.

Small-scale vessels evoking sacred ritual objects were displayed in More saints seen, a solo exhibition seen at the Aldrich Contemporary Art Museum, Ridgefield, CT (2005-06). Constructed from cream-colored industrial felt with hand-sewn seams, Mozenter also integrated wooden ice-cream spoons and toothpicks; pearls, buttons, and beads; and penciled, child-like letters and marks into shapes that occupy a spiritual space.

Works displayed in these solo exhibitions— Cuts and Occasions at Dieu Donné Papermill, New York (2002), and Very well saint at The Drawing Center, New York (2000)—involved the stitching together of double layers of handmade paper with grey silk thread. The sewn thread lines echoed the penciled lines of her drawing.

Her current and on-going works-on-paper dispense with doubled paper layering and include watercolor and gouache. Dimensional eruptions in the paper result from cuts and punctures, watery paints, and glue. “The challenge,” she
writes, “ is to act without hesitation.”

Mozenter has been exhibiting her work since 1978. She has been artist-in-residence at Dieu Donné Papermill and Instituto Municipal de arte e Cultura-Rioarate, Rio de Janeiro, and has received two fellowships from NYFA. Her work is in the collections of major museums in the US. In the fall, her work will be included in a two-person show at the Lesley Heller Gallery in New York City. She is a professor in the MFA program at Pratt Institute.

To view Images of her work, visit www.cyrillamozenter.com


 ADMISSION

$5.00 for members of other textile organizations.

$10.00 for TSGNY's Newsletter Subscription members and unaffiliated guests.

Admission fees are added to the fund supporting TSGNY’s Nancy and Harry Koenigsberg Award.

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For years, TSGNY members have benefited from programming that included speakers who exemplified the diversity and inclusiveness of the contemporary textile worldFor example:

2006─2007

September — Annika Ekdahl, weaver who experiments with tapestry limitations, scale, and digitizing to tell stories with her work
October — Doug Beube, altered books sculpted into fantastical shapes with reconstructive/deconstructive tactics
November — Tracy Krumm, sculpture integrating traditional textile processes with found industrial and domestic objects
December — Holiday Party
January — China Marks, sewn drawings using various fabrics with machine appliqué and embroidery to create surreal scenarios
February — Jill Heppenheimer, co-owner of the Santa Fe Weaving Gallery selling work by garment and accessory designers; fiber conference director
March — Sabrina Gschwandtner, combines film, sewing, knitting, and crochet for installations, participatory events, and magazine publication
April — Janet Eschelman, large to massive sculptural installations that re-shape urban space with diaphanous materials
May — Kevin O’Brien, textile designer whose studio creates hand-crafted fabrics for home furnishings, scarves and shawls
June — Slides of members’ work

2005─2006

September — Lesley Dill, creates sculptures, prints, installation and performance pieces using various materials and printing processes
October — Elena Herzog, sews, stuffs, and drapes sculptural objects from old domestic materials
November — Gary Van Wyck, art historian, writer, authority on African cultures; owns a Chelsea gallery featuring South African art
December — Holiday Party
January — Jackie Abrams, basket maker who uses heavy cotton paper to shape woven, stitched, layered forms
February — Susan Martin Maffei, weaves colorful, detailed, large and small tapestries celebrating her NYC life
March — Jean Shin, transforms mundane, discarded objects into sculptural installations using reconstructive alterations
April — DoHo Suh, Korean with an international reputation for large sculptural installations constructed of stitched fabric
May — Xenobia Bailey, crochets colorful, African-influenced, sculptural hats, garments, wall pieces, and installations
June Slides of members' work

2004–2005

September — Ed Bing Lee, small works created with densely packed half-hitch knots
October — Amy Orr, quilter who constructs surface imagery from street castoffs and other objects
November — Angiola Churchill, elegant, ethereal, site-specific works fashioned from white paper
December — Lewis Knauss, small, abstract, landscape interpretations constructed from natural materials
January — Lindsay Rais, wire vessels shaped with knotless netting studded with pistachio shells
February — Wenda Gu, monumental installations with global social implications built using hair
March — Slides of members’ work
April — Raylene Marasco, custom-printed, dyed, painted fabrics for fashion, costume, and home decorating customers
May — Margaret Hluch, tapestry weaver whose imagery chronicles personal experiences; quilter
June — Jorie Johnson, felter who fabricates clothing and accessories using innovative processes and materials

2003–2004

September — Polly Apfelbaum, “fallen paintings,” spreading floor arrangements of little shapes hand cut from fabric
October — Jane Ingram Allen, sculptures and public art installations of paper, painted string, and found objects
November — Layne Goldsmith, authority on textile history, fiber structure, feltmaking, weaving
December — Holiday party, slides of members’ work
January — Dorothy Caldwell, large constructions of dyed, stitched fabric with wood, stone, and other elements
February — Barbara B. Goldberg, review of the work of basket maker Joanne Segal Branford
March — Jacqueline Atkins, textile historian; propaganda textiles of Japan, Britain, and the U.S., 1931–1945
April — Betsy Sterling Benjamin, wax-resist textiles with imagery influenced by Japanese design and aesthetics
May — Barbara Lee Smith, embroiderer who builds intensely colored, complex surfaces with layering and stitchery
June — Annual business meeting, slides of members’ work

2002–2003

September — Janis Jefferies, Textile Dept. at Goldsmiths College; London digital printing artist, writer, educator
October — Donna Lish, hand- and machine-knitted structures reinforced with beads
November — Katherine Cobey, hand-knitted garments and large sculptural objects
December — Miriam Schaer, multimedia book artist using garments as containers
January — Joanne Russo, explores childhood influences that shaped adult artists
February — Slides of members’ work
March — Sonya Clark, African-influenced, beaded, embellished, conceptual headdresses and objects
April — Beverly Semmes, large, abstract sculptures referencing social relationships
May — Joan Livingstone, felt shaped into large forms and installation objects
June — Koenigsberg Award presentation to wearable artist Rebecca Turnbow

2001–2002

September — Tetsuo Kusama, Japanese weaver of large commissioned installations
October — Missy Stevens, small pictorial images using punch needle embroidery
November — Donna Sharret, needle-lace designs of synthetic hair with rose petals
December — Reception and raffle of MANY PAGES, member-created artists’ book
January — Henry Drewal, professor/scholar; art of Yoruba-speaking African people
February — Chunghie Lee, Korean; wearables, sculptural forms, and installations
March — Donna Rosenthal, small sculptures constructed from household items
April — Jon Eric Riis, tapestry weaver who enriches surfaces with beads
May — Emma Amos, artist who includes African fabrics in her painted works
June — Annual business meeting, slides of members’ work

2000–2001

September — Annet Couwenberg, hand-sewn mixed-media sculptural works
October — Tamiko Kawata, jewelry and art objects constructed from safety pins
November — Alan Shields, handmade paper objects
December — Three exhibitions of contemporary lace art
January — Jill Furst, historian; Aztec and Mayan beaded and feathered objects
February — Jane Sauer, basketry and sculptural forms
March — Barbara Shawcroft, small-to-massive three-dimensional fabrications
April — Twylene Moyer, Sculpture magazine editor; observations about fiber
May — Randall Darwall, weaver of functional, wearable textiles
June — Annual business meeting, slides of members’ work

 

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Textile Study Group of New York / info@tsgny.org